About the VR model:

Virtual Reality (VR) is revolutionizing the field of archaeological conservation, offering innovative ways to preserve and restore historical sites. This abstract delves into the application of VR in informal archaeological conservation practices, with a focus on a unique VR project centered on the Choto Sona Mosque at Chapainawabganj in Bangladesh. The project exemplifies how VR can be harnessed to conserve and restore cultural heritage, providing an immersive experience that bridges the gap between the past and present. The Choto Sona Mosque, an architectural gem from the Sultanate period, stands as a testament to the rich historical and cultural heritage of Bangladesh. However, like many ancient structures, it faces the ravages of time, environmental factors, and human neglect. Traditional conservation methods, while effective, often fall short in engaging the public and garnering widespread support for preservation efforts. This is where VR steps in as a game-changer. In our VR project, we developed a detailed virtual model of the Choto Sona Mosque, meticulously recreating its architectural splendor and intricate details. This digital reconstruction serves multiple purposes: it acts as a reference for restoration efforts, an educational tool for scholars and students, and a means to engage the broader public in the mosque’s conservation. Users can virtually explore the mosque, experiencing its grandeur and understanding its historical significance in an interactive, immersive environment. The project began with extensive research, including field visits to the site, archival studies, and consultations with historians and conservation experts. High-resolution photographs, laser scans, and 3D modeling techniques were employed to capture the mosque’s current state. These digital assets were then used to create a VR environment that not only represents the mosque as it stands today but also simulates its original glory. One of the key advantages of using VR in this context is its ability to visualize potential restoration outcomes. By simulating various conservation scenarios, stakeholders can make informed decisions about the best approaches to preserving the mosque. Additionally, VR allows for the documentation of the mosque’s current condition, providing a digital archive that can be invaluable for future restoration efforts. Moreover, the project has educational and outreach components. Virtual tours of the Choto Sona Mosque can be accessed by schools, universities, and the general public, fostering a deeper appreciation for the site and the importance of its preservation. Interactive features within the VR environment, such as information panels and guided tours, enhance the learning experience, making it both informative and engaging. VR technology continues to evolve, its application in the field of archaeology holds promise for even more innovative and impactful conservation practices. The VR project on the Choto Sona Mosque stands as a pioneering example of how virtual reality can be integrated into informal archaeological conservation practices. By creating immersive, educational, and interactive experiences, VR has the power to transform the way we approach the preservation and appreciation of our cultural heritage.

The Tiled Floor and Gilded Dome:

In 1932, eight structures in Gaur, including the Choto Sona Mosque, were declared protected antiquities. Despite this, the mosque was not renovated for a long period. A century after British reforms, the Department of Archaeology of the Government of Bangladesh began conservation activities. Between 2003-2005, they undertook a development project titled ‘Renovation and Preservation of the Small Golden Mosque at Gaur and the adjoining ancient monuments.’ During a month-long excavation in 2003, an impeccably beautiful glazed tile floor was discovered in the open courtyard in front of the mosque, spanning 36 meters north-south and 16 meters east-west. Unfortunately, many tiles were stolen, but about 25 different types of blue and white tiles were uncovered. Our VR project meticulously restores this historic floor. Using Adobe Photoshop and Illustrator, we recreated the rectangular floor blocks by placing small tiles in phases. From this foundation, we virtually restored the remaining 39 blocks in the courtyard and 15 blocks inside the mosque. Additionally, we restored the mosque’s gilded dome, bringing back its original golden splendor. This VR model allows visitors to experience the mosque’s stunning floor and the magnificence of its gilded dome as they once were, in a fully immersive virtual environment.